Charo Oquet

Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo Domingo, Lanzarote, Canary Islands, Spain ( curated by Antonio Zaya) and Oquet’s work has been included in numerous international exhibitions, including Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, Museum of Latin American Art. Long Beach, Ca, 2017; Gaga Now! , Art, Race, and Fluidity in Dominican Republic and Haiti, Martin E. Segal Theatre, CUNY, New York, 2016; 1st. Asuncion Biennial, Salazar Museum, Asuncion, Paraguay, 2015; Be.Bop European Body Politics , Spiritual Revolutions & the Scramble for Africa: Nikolaj Kunsthal, Copenhagen, Denmark; Ballhaus Naunynstraße, Berlin Germany and Art Labour Archives, 2015; 1st Afiriperfoma Biennial Live Art Festival in Africa, Harare, Zimbabwe, 2013; Art, Religion and Politics, Pavillion of (2005) curated by Jean-Hubert Martin, Mami Watta, curated by Henry Drewal at the Fowler Museum at UCLA,(2008); Subliminals, Beijing , China; (2007); Away, at the UNESCO Head Quarters – Paris (2006); After Columbus.com, Kunstnerne Hus, Oslo, Norway, (2003); V Biennal del Caribe’03, ’01, Museo de Arte Moderno de Santo Domingo; En Ruta PR’02, M&M Projects Puerto Rico, curated by Antonio Zaya; Centro Atlantico de Arte Moderno, (CAAM) Gran Canarias, Spain as well as the Govett-Brewster Art Gallery, N.Z.