Yann Novak is a queer interdisciplinary artist and composer based in Los Angeles. His work is guided by his interests in perception, context, movement, and the felt presence of direct experience. Through the use of sound and light, Novak explores how these intangible materials can act as catalysts to focus our awareness on our present location in space and time. Novak’s diverse body of works—audiovisual installations, performances, architectural interventions, sound diffusions, recording, and prints—ask participants to reclaim the present moment as a political act.
His work has been experienced through exhibitions and performance at AB Salon, Brussels; Armory Center for the Arts, Pasadena, California; The Broad, Los Angeles; Commonwealth & Council, Los Angeles; Danspace, New York; de Young Museum, San Francisco; Fylkingen, Stockholm; The Getty Villa, Pacific Palisades, California; Hammer Museum, Los Angeles; The Henry Art Gallery, Seattle; Human Resources, Los Angeles; Iklectik, London; Institute of Modern Art, Brisbane; LACMA, Los Angeles; Mutek Festival, Montreal; PICA, Portland; SFMoMA, San Francisco; Soundfjord, London; and The Stone, New York, among others. His recorded sound works have been released by 901 Editions, Dragon’s Eye Recordings, LINE, Room40, and Touch, among others.
Novak is a recipient of a 2019 California Community Foundation Fellowship for Visual Artists. He has participated in numerous artists residencies including EMS Elektronmusikstudion, Stockholm; Jental Artist Residency, Sharidan, Wyoming; Melbourne Electronic Sound Studio, Melbourne; Mountain School of Arts, Los Angeles; Taliesin Artist Residency, Spring Green, Wisconsin; and the Touch Mentorship Programme, London, among others. Novak’s work has been the subject of articles and reviews in publications including C Magazine, Drain Magazine, Inside Art, LA Weekly, Los Angeles Times, Neural Magazine, Signal to Noise, The Stranger, and The Wire, among others.