Dahlia Dreszer

Dahlia Dreszer (Panama) is a photo-based artist. She graduated from Emory University with a background in Media and Photography. Her work, in large-format photography and immersive installations, explores themes of identity, memory, and cultural heritage, with a particular focus on navigating between cultures.

Her ongoing project Bringing the Outside In debuted as a solo exhibition at Green Space Miami in 2025, one of her four solo exhibitions that year. Todo esto que Parece Inventado was presented as a solo pavilion at Pinta Panama at the City of the Arts with support from Panama’s Ministry of Culture. The project explores Panamanian identity and culture. Dahlia was invited by the City of Panama to exhibit the project at Casa de la Municipalidad, marking the first art exhibition at the site.

Currently, she investigates the intersection between technology, art, and nature through Clone Dahlia, an AI-generated persona that explores simulated presence and identity, recently featured in TIME Magazine – ‘Why this Artist isn’t Afraid of AI in Art’.

Her upcoming projects include an exhibition at the Jewish Museum of Florida in Miami and a solo exhibition at Mad Arts Miami. Alongside her studio practice, she curates programs and public dialogues centered on collaboration, technology, and cross-cultural exchange.